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A poetic bA high-contrast black and white conceptual portrait of WOUTER for the ESTRANGED series by ARJAN SPANNENBURG, showing the subject behind pine branches.lack and white image by Arjan Spannenburg where sharp nature overlaps a blurred male figure, symbolizing the hidden struggles of queer identity.High-contrast monochrome photography of a person with long hair partially hidden by textured locust tree leaves, exploring themes of faith and self-recognition in ARJAN SPANNENBURG'S ESTRANGED series.A black and white conceptual fine art portrait of ROBIN for the ESTRANGED series by ARJAN SPANNENBURG, featuring a person with a shaved head among dense leaves.A black and white fine art portrait of a young male model named Max standing partially hidden behind leafy branches.A black and white conceptual portrait of JIP for the ESTRANGED series by ARJAN SPANNENBURG, showing a man partially hidden by pine branches.High-contrast monochrome photography of a young man partially hidden by ivy leaves, capturing the theme of self-worth and independence in ARJAN SPANNENBURG'S ESTRANGED series.
Arjan Spannenburg

ESTRANGED - CHRISTIAN

"En poetisk udforskning af det indre skisma mellem nedarvet fordom og selvet spirende sandhed, der indfanger øjeblikket, hvor man vender sig bort fra en giftig fortælling."

Narrativet

At navigere i skyggerne af faderlig fjendtlighed

I dette gribende kapitel af ESTRANGED serien, undersøger ARJAN SPANNENBURG den psykologiske påvirkning af aggressiv hjemlig heteronormativitet. Gennem portrættet af CHRISTIAN, visualiserer kunstneren den tunge byrde ved at vokse op i et miljø, hvor ens spirende identitet er forhastet stemplet som "frastødende" eller "unormal." SPANNENBURG anvender de klassiske, robuste egeblade til at symbolisere traditionens vægt og familiens enheds rigide strukturer. Motivet er fanget bagfra, mens det ser væk ind i det tætte løv – en visuel metafor for de år, der blev brugt på at gemme sig for en faders verbale vold og den indre tvivl om ens egen ret til at eksistere i samfundet.

Fra tvivlens mørke til acceptens lys

SPANNENBURG’s motivation for this work is to document the "day and night" contrast between fear and safety within the home. By placing CHRISTIAN in a state of partial concealment among the oak branches, the artist mirrors the subject's journey of suppressing his feelings to survive his father's rhetoric, while simultaneously seeking the light of his mother's tolerance. As CHRISTIAN reflects on the damage caused by his father's words: Because of what he said, I wondered if I was normal. Am I really that filthy and do I really have no place in society? This work serves as an institutional record of the emotional labor required to unlearn self-hatred. For the collector, this piece offers a deep, quiet strength, representing the moment a soul decides to stop looking back at the past and begins to seek its own path through the thicket.

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Visuel analyse

Et lodret sort-hvid fotografi, der viser en ung mand uden overkrop med mørkt, bølget hår, set bagfra og fra siden. Han er placeret bag og delvist flettet sammen med grenene fra et egetræ, der er kendetegnet ved sine tydelige lappede blade. Hans ansigt er vendt bort fra kameraet, og han kigger ind i den mørke, tætte løv i baggrunden. Belysningen er fokuseret og oplyser de glatte konturer af hans skulder og ryg, mens egetræets blade kaster intrikate skygger over hans hud. Han ser ud til at holde en gren, der smelter den menneskelige form sammen med træets og bladets naturlige teksturer.

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År

2022

Genres

PortrætterMaskulin SårbarhedKonceptuelFine Art FotografiMental SundhedComing of AgeQueerKonceptuelLGBT+