ART THAT MATTERSby Spannenburg.Art
Back to Collection

More from the series

ESTRANGED (serie)
High-contrast monochrome photography of a young man partially hidden by ivy leaves, capturing the theme of self-worth and independence in ARJAN SPANNENBURG'S ESTRANGED series.A poetic bA high-contrast black and white conceptual portrait of WOUTER for the ESTRANGED series by ARJAN SPANNENBURG, showing the subject behind pine branches.lack and white image by Arjan Spannenburg where sharp nature overlaps a blurred male figure, symbolizing the hidden struggles of queer identity.A black and white fine art portrait of a young male model named Max standing partially hidden behind leafy branches.A black and white conceptual fine art portrait of RICARDO for the ESTRANGED series by ARJAN SPANNENBURG, featuring a man among prickly holly leaves.A black and white conceptual fine art portrait of ROBIN for the ESTRANGED series by ARJAN SPANNENBURG, featuring a person with a shaved head among dense leaves.High-contrast monochrome photography of a person with long hair partially hidden by textured locust tree leaves, exploring themes of faith and self-recognition in ARJAN SPANNENBURG'S ESTRANGED series.
Arjan Spannenburg

ESTRANGED - ZICO

"A visual narrative of strategic invisibility and the resilient reclamation of space, reflecting the constant risk assessment of the queer body in both local and international landscapes."

The Narrative

Navigating the terrain of conditional belonging

In this powerful addition to the ESTRANGED series, ARJAN SPANNENBURG explores the concept of 'geographic identity'—the way one’s sense of self must be edited or amplified depending on the surrounding environment. Through the portrait of ZICO, the artist examines the mental labour involved in reading a landscape for potential threats. SPANNENBURG utilises the tall, rhythmic reeds of the marshland to symbolise the thin veil of protection that anonymity provides. The image captures the moment where the subject chooses what to reveal and what to withhold, a direct reflection of the "travel advice" queer individuals must follow even within their own borders.

The quiet stand against being noticed

SPANNENBURG’S motivation for this work is to document the transition from fear to active resistance. By placing ZICO within the reeds, the artist highlights the subject's agency in navigating a world that often views his existence as an "ideology" rather than a biological reality. As ZICO reflects on the choice to continue visible acts of affection despite external hostility: I used to have a period when I didn't want to walk hand in hand anymore because of these kinds of comments. I was very shocked by those reactions. We decided together to continue with it. This work elevates a personal decision into a museal statement on the necessity of visibility. For the collector and curator, this piece stands as a testament to the endurance required to inhabit public spaces authentically.

Visual Analysis

A vertical black and white photograph showing a shirtless young man partly submerged in a dense field of tall, sharp-bladed marsh reeds. The subject is seen from the side, his torso and shoulders catching a strong, direct light that contrasts with the deep shadows of the foliage. His face is mostly hidden by the overlapping blades of grass, though the shape of his head and short hair is visible. One hand grips a cluster of reeds in the middle ground, while the other is seen near the bottom right. The composition is full of diagonal lines from the reeds, creating a complex, textured barrier that surrounds and partly conceals the human form.

Configure Your Edition

Select Size & Edition

Select Material / Finish

Year

2022