ESTRANGED - ZICO

Navigating the terrain of conditional belonging

In this powerful addition to the ESTRANGED series, ARJAN SPANNENBURG explores the concept of 'geographic identity'—the way one’s sense of self must be edited or amplified depending on the surrounding environment. Through the portrait of ZICO, the artist examines the mental labour involved in reading a landscape for potential threats. SPANNENBURG utilises the tall, rhythmic reeds of the marshland to symbolise the thin veil of protection that anonymity provides. The image captures the moment where the subject chooses what to reveal and what to withhold, a direct reflection of the "travel advice" queer individuals must follow even within their own borders.

The silent protest of being seen

SPANNENBURG’S motivation for this work is to document the transition from fear to active resistance. By placing ZICO within the reeds, the artist highlights the subject's agency in navigating a world that often views his existence as an "ideology" rather than a biological reality. As ZICO reflects on the choice to continue visible acts of affection despite external hostility: I used to have a period when I didn't want to walk hand in hand anymore because of these kinds of comments. I was very shocked by those reactions. We decided together to continue with it. This work elevates a personal decision into a museal statement on the necessity of visibility. For the collector and curator, this piece stands as a testament to the endurance required to inhabit public spaces authentically.